Here are the advantages of Creative Profiles: The most important feature of the Creative Profiles is that we can create custom profiles without limitations or boundaries. If Adobe RAW Profiles and Camera Matching Profiles are designed to match in-camera RAW conversions and are constrained by a limited number of camera profiles, then Creative Profiles allow photographers to explore artistic expression to its full extent. I consider the Creative Profiles as the most significant addition to Lightroom in recent years. When you select the Fujifilm RAW image in Lightroom, you can find the following Profiles under the Camera Matching section of the Profile Browser: The Camera Matching RAW Profiles available for any particular RAW image will vary depending on which camera was used to capture the photo. It allows them to apply popular Film Simulations such as ACROS and Velvia to produce the distinctive looks of old film in RAW images. This workflow is very common among Fujifilm photographers. With the Camera Matching RAW Profiles, you can shoot in RAW, apply matching profiles during editing, and enjoy a nondestructive RAW workflow. To overcome this limitation, Adobe created Camera Matching RAW Profiles to simulate the JPEG effects for each camera model. The limitation of in-camera conversions is that camera presets can only be applied to JPEG images the RAW data cannot be affected by the presets. For example, you can produce Black and White or Sepia images with a retro look.Įach camera manufacturer has a different name for these presets. On top of the default in-camera RAW to JPEG conversion, every camera manufacturer ships its cameras with built-in “creative presets.” Selecting different presets from the camera’s menu can affect the RAW to JPEG conversion in more creative ways. They are designed to be a starting point or a baseline for your editing. With the latest update, Adobe introduced six new Camera Raw profiles that you can change manually from the drop-down menu.Īdobe RAW Profiles are not designed to create distinctive looks they produce relatively neutral images with low contrast and saturation. Adobe created a unique version of the Standard Profile for each camera model, trying to mimic the look each in-camera RAW to JPEG conversion produced. This does not mean that the Adobe Standard profile was identical for all RAW images. The RAW Profiles were hidden under the Calibration Panel of Lightroom for a long time, and Adobe Standard was the only profile available. You can find three types of profiles in Lightroom or ACR: Adobe RAW Profiles, Adobe Camera Matching Raw Profiles, and Creative Profiles. The RAW to image conversion is not possible without a RAW Profile. And similar to a camera processor, it requires a series of instructions known as RAW Profiles. When we shoot RAW, the RAW to image conversion happens inside RAW editors like Lightroom. Finally, it saves the image as a JPEG image. Next, it applies contrast, saturation, sharpening, and so forth. Related: How to Create and Use Lightroom Import Presetsįirst, based on the Camera Profile, the processor tries to estimate the color values (red, green, blue) for each pixel. The image processor interprets the RAW data based on the Camera Profile’s instructions. When we set a camera to shoot in JPEG format, the camera takes the RAW data and runs it through its image processor. To convert or rasterize pure numerical data to an image requires a series of instructions, also known as a Profile. This means that the RAW file is nothing more than the voltage data collected from every single pixel. The camera records the voltage values by writing them into a RAW file. The charge of the photons changes the voltage value in every pixel. When the shutter is pressed, and light reaches the camera’s sensor, every pixel counts the number of photons that reach each unit. Contrary to common belief, the function of the pixels is not to capture light but to measure its intensity. My Fujifilm camera has a 26 Mpix sensor, which means it consists of 26 million pixels. The digital sensor consists of tiny units known as pixels. To demonstrate how RAW Profiles work, we must first understand how digital sensors work, the RAW format, and how it is created. This article aims to unravel the mystery of Lightroom’s RAW Profiles and show you how to integrate them into your creative process. Then, the latest updates made the RAW Profiles a centerpiece of the photo editing process. Very few Lightroom users knew the profiles’ existence and importance. The concept of RAW Profiles has been around since Lightroom version 3, but it was buried deep inside the program’s interfaces. The most significant update, from my perspective, concerned how Lightroom and ACR handle RAW Profiles. In 2018, Adobe released a series of major updates to its RAW editors: Lightroom, Lightroom CC, and Photoshop ACR.
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